$975.0 Buy It Now or Best Offer
free,30-Day Returns
Seller Store willsusa_utzeqm
(544) 99.3%,
Location: Orange, California
Ships to: US,
Item: 276664707910
All returns accepted:ReturnsNotAccepted
Artist:Rodriguez
Signed By:Rodriguez
Size:Medium
Signed:Yes
Period:Post-War (1940-1970)
Material:Oil,Palm Leaf
Region of Origin:Hawaii, USA
Framing:Framed
Subject:Children & Infants,Community Life,Figures,Flowers,Ladies,Plants,Silhouettes,States & Counties,Tourism,Women,Hawaii,Polynesia
Type:Painting
Year of Production:1960
Original/Licensed Reproduction:Original
Item Height:22 in
Theme:Americana,Art,Continents & Countries,Cultures & Ethnicities,Fashion,Floral,People,Portrait
Style:Americana,Figurative Art,Modernism,Portraiture
Features:One of a Kind (OOAK)
Production Technique:Oil Painting
Country/Region of Manufacture:United States
Handmade:Yes
Item Width:13 7/8 in
Time Period Produced:1960-1969
The is a RARE Vintage Hawaiian Hawaii Girl Portrait Oil Painting on Palm Leaf, by renowned Hawaiian master velvet painter, Cecilia “CeCe” Rodriguez. This artwork depicts the whimsical portrait of a young big-eyed Native Hawaiian girl. The subject stares outwardly with a hopeful gaze and wears a single white flower in her hair. She is clothed in a long red floral print dress, with a white frill collar. Signed: “Rodriguez Hawaii” in the lower left corner. This piece likely dates to the 1960’s – 1970’s. Approximately 13 7/8 x 22 x 1 5/8 inches (including frame.) Actual visible artwork is approximately 10 1/2 x 20 1/2 inches. Very good condition for age, with some faint scuffing and edge wear to the original period vintage wood frame. CeCe Rodriguez is unanimously considered one of the masters of the South Pacific school of black velvet painting and is often compared with Edgar Leeteg and Tyree. Her artworks are very scarce, and this is a lovely example of her hard-to-find original paintings. Priced to Sell. Acquired from an old collection in Pasadena, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! About the Artist: Cecelia “CeCe” Rodriguez was the only female painting black velvet in Hawaii during the 1960’s – 1970’s, the self-taught Rodriguez’s Black Velvet paintings have been exhibited and sold in galleries across the world; and to this day hers remain among the most sought after and coveted examples of the medium, by collectors. Five of her artworks are on permanent exhibition at the Velveteria: Museum of Velvet Paintings in Los Angeles, California. When American artist Cecelia “Ce Ce” Rodriguez encountered a shop full of such velvet paintings in 1960s Honolulu, she was inspired to move to Hawaii and take up the medium. Lou Kreitzman sold her luxuriant artworks in his gallery and brought her paintings to be displayed in the Hawaiian pavilion at the 1964 World’s Fair in New York. For years, several Hawaiian resorts proudly featured her work. But by the 1970s, the emergence of the Mexican velvet-painting industry killed the medium for Rodriguez, when even galleries in Hawaii stopped taking it seriously. As I flip through the book Black Velvet Masterpieces I embark on an emotional roller coaster, awed by the beauty of the work of Charles McPhee, Edgar Leeteg, Burke Tyree and Cecilia Rodriguez–all masters of the human form regardless of media–and horrified and amused by the ineptitude and kitschiness of the various visages of Hulk Hogan and Jesus and Liberace. The authors of the book are a couple who knew they were soulmates when they admitted their mutual adoration for black velvet artistry and began to obsessively collect same. Eventually they opened the Velveteria Museum in Portland, Oregon (closed as of 2010, alas, but looking for a new home supposedly; UPDATE: it recently reopened in L.A.) to house and display their hoard and to ostensibly bring a modicum of respectability to a much-derided art form. This book culls its images from the best (and worst) of that collection, and also provides one of the few extant text histories of both the craft and industrial history of this maligned genre.Black velvet painting began in the 1930s when traveling American, Edgar Leeteg, began painting the lovely (and usually nude) ladies of the South Seas on velvet canvases and an impressed art dealer began to distribute the paintings. It eventually grew to big business in the ’60s,’70s and 80s’ with the opening of Mexican sweatshops churning out crude black velvet paintings of Elvis, Jesus, card-playing dogs, crying clowns, leopards and unicorns for cheap sale at McCrory’s. Some artists, such as Rodriguez, fled from the business feeling that their art was being downgraded by the flood of chintz.One story in this book relates how the authors found a stash of velvets at a carpet store, where the owner was more than glad to get rid of them, referring to them as his “hall of shame.” Carl Baldwin and Caren Anderson clearly see no shame in black velvet art, even having amused affection for the worst the form has to offer. Looking through this book, it is evident to me that there are indeed black velvet masterpieces, though the masterpiece-to-junk ratio is indeed a wide one. For every stunning McPhee Polynesian nude or Rodriguez ethnic portrait there are hundreds of questionably charming images of John Wayne, Elvis, Marshall Applewhite (the Heaven’s Gate cult leader), Hulk Hogan, Dolemite, Kenny Rogers, Martin Luther King Jr., Muhammad Ali, Oprah, Jesus, George W. Bush, Charles Bronson, Barbi Benton, Tempest Storm, Satan, JFK, Princess Diana, Bruce Lee, Che, Dali, James Dean, Marilyn, James Brown, Liberace and even Dr. Death himself, Jack Kervorkian.Margaret Keane’s famous kitsch paintings of big-eyed children in the ’60s (a favorite of my grandmother, as I recall) were copied by anonymous black velvet painters and made their way into unlikely subjects, including a series of mass-produced circular canvases of Vietnam soldiers with big heads and eyes and small bodies, teary eyed amid the chaos of war. They were bought as souvenirs by the troops and sent back home to families with personal messages written on a blank area of the canvas.There are some amazing things here; Burke Tyree’s photorealist painting of a dwarf lemur on page 93, a remarkable copycat of Rembrandt’s “Young Woman at a Half-Open Door” by an anonymous artist, and Cece Rodriguez’s soul-catching portraits of traditional ethnic peoples. There’s also the cringe-inducing stuff: big eyed children using the toilet, Jesus bestowing his blessing over a semi (“God Bless Our Truckers”) and the like.The book is sensibly broken into about 40 pages of historical and background text and then into “galleries” featuring the art thematically: Polynesian subjects, clowns, animals, big-eyed kids, nudes, war, western, Jesus and Mary, black power, devils, black light, and so on. The book’s cover, appropriately, is covered in actual black velvet.Sadly, the Velveteria’s painting of a jackalope riding a unicorn is not in the book. However, it can be seen in this marvelous and funny profile broadcast in 2006 on CBS Sunday Morning, as reported by Bill Geist Black Velvet, If You PleaseBy Robyn Ludwig The phrase “velvet painting” brings to mind crying clowns and softcore tropical nudes, stacked unceremoniously in thrift shops or flea markets. Among these you’re unlikely to find a valuable Edgar Leeteg, the only velvet artist to achieve any degree of name recognition; but you may happen upon a neglected gem by one of four Canadian women—Minn Sjolseth-Carter, Dorothy Francis, May Clarke, Joy Caros—who painted prolifically, pragmatically and obscurely, on velvet.In my early twenties, I received my first piece of velvet art, a hideous, enormous still life of a bowl of fruit, purchased at Value Village by a friend as a gag gift for my birthday. Over the next two decades I’ve acquired three dozen velvet paintings, including a “Velvis” that I religiously lint brush, an unsigned, slightly crooked, crown-of-thorns Jesus haggled from a Winnipeg antiques shop, and a narrow assemblage of blue flowers on black velvet, with a typewritten inscription on pink card stock: “VI Waddington, Winnipeg.” A search revealed the artist as Viola Clara Martha Waddington (1916–2003), whose obituary referred to unspecified “creative talents.” I feel object empathy for the paint-by-numbers kit paintings made by women artists like Waddington, a feeling as irrational as my affection for unattributed velvet paintings made in assembly-line factories. I rescue their velvety floral arrangements, consigned, as the unwanted craft projects of amateurs and hobbyists, to online classifieds, cobwebbed attics, garage sales. Or worse, to landfills. I trace the origins of my velvet hoarding tendencies to a fire that gutted my family home when I was twelve. I learned that the only safe attachment to possessions comes with things that are cheap, laughable, easily replaced.In 2018, I purchased, through Kijiji, a velvet portrait of an elderly Asian man, signed “Min Sjolseth” [sic] and entitled “Sommy Bing.” I discovered that Minn Sjolseth-Carter (1919–1995) was a Norwegian-born artist who settled in Vancouver in 1957 and opened the Minn-Tonge gallery, downtown on Pender Street. There she produced oil-on-black-velvet portraits of Asian and Polynesian men, women and children, in sufficient quantities to still appear regularly on auction sites. I got in touch with her daughter, the visual artist Laila Campbell, who stated bluntly in an email, “Somehow these works were very popular then.” Sjolseth-Carter closed the gallery in 1967, quitting velvet and committing herself exclusively to other media. After her death, much of her substantial body of work was accessioned by museums and galleries, but not one of her velvets.In March 2020 I spotted a Dorothy Francis (1923–2016) painting on Craigslist and drove out to New Westminster to meet the owner. I parked illegally in the cul-de-sac of a high-rise condo development. Wearing surgical gloves and a cloth mask, I handed twenty-five dollars to an older gentleman, who wore a mask but no gloves. He handed me a 20″ x 27″ portrait of an elderly Asian man brushed into soft brown velvet, an offensively hackneyed piece that I was both excited and ashamed to get my hands on. The seller seemed relieved that the painting had found an appreciative buyer. At home, I emailed Francis’s son, the visual artist Tim Francis, who wrote, “Part of mom’s motivation to paint on velvet was doing portraits because she thought they could be compelling. The other part was likely financial. With five young children I know my father pushed her to produce work that would sell.” Five years after her death, Francis remains only known for her watercolours, pastels and acrylics on paper and canvas.In late March 2020, unemployed and bored as a result of the pandemic, I decided to track down Joy Caros (b.1932), the indisputable queen of velvet painting. Caros came across the phone line as formidable. With little sentimentality she described her early years as an artist in Vancouver. She experimented first with difficult-to-handle chalk on velvet. She plied her trade painting portraits for tourists in Stanley Park, and for customers at Trader Vic’s Polynesian-themed restaurant in Coal Harbour. Vancouver’s Jewish community provided her a stable source of lucrative commissions throughout the 1950s. What changed the course of her career was a tour of Hawaii, and an invitation to visit the gallery of the art dealer Barney Davis. Davis represented Leeteg, whom he marketed as the “Gauguin of American velvet painting.” He hired Caros to surreptitiously retouch Leeteg paintings for sale. Also in Hawaii, while exhibiting her velvets at the Hilton Hawaiian Village hotel, Caros had a chance meeting with the director Stanley Kramer. He commissioned a dozen portraits of the cast of his 1963 film It’s a Mad, Mad, Mad, Mad World, flying her out to Hollywood.Back home in 1964, Caros painted the Beatles on velvet. She offered the painting to the local DJ Red Robinson in exchange for front-row seats to the Beatles’ only concert in Vancouver. Later that year, Caros took her velvet paintings on a cross-country tour of the Canadian Pacific Railway grand hotels and sold out by the time she left Toronto for Montreal.Caros left Canada and spent more than thirty years in Italy. Abroad she marketed her trademark velvet iconography: water and tear droplets on Polynesian women and children. She continued to pursue sales through exhibits at hotels in Europe and North America. In the late 1990s, she left behind velvet as a canvas. Family portraits commissioned by the visually impaired singer Andrea Bocelli were her last velvet works.During our conversation, Caros said Europeans respect velvet more than Americans do. She lamented “commercial junk” reproductions and forgeries that devalued her work, and she spoke with exasperation about efforts to defend the copyright to her images. Yet she also talked animatedly about licensing her work for pillowcases and candy wrappers. She stated, “I don’t miss velvet. There is no market for it. I don’t think about it.”Caros came across as dismissive of her velvet work, but fiercely proud of her technique. Able to produce one painting a week, Caros would stretch velvet over hardboard, sketch an outline with chalk or pastel and dry-brush oil paint with pig-hair brushes. A technique, she boasted, “few artists can manage.” She regaled how a visitor to one of her shows in Italy snipped off a piece of the velvet, believing that “the secret was in the velvet.”In April 2020, I stumbled upon the work of the velvet artist May Clarke (date of birth and death unknown) of Ontario. A slight biography on the Historical Peel Artists website said that Clarke became a “professional artist” in 1964 due to “public demand” for her oils on black velvet and that “as fast as she completed a picture on velvet, a buyer would purchase it from her.” I was able to locate one original May Clarke, acquired by a woman in Ontario from a thrift store: a portrait of a sultry, exoticized woman, with a blank expression, hooded in lace. It was a technically competent, if unoriginal, composition that evoked the uncanny valley, as unnerving as the big eyes of a Margaret Keane painting, whose work recently experienced a resurgence after Tim Burton made a biopic about her called Big Eyes. Even a fan such as myself has to acknowledge velvet paintings as aesthetically disturbing and problematic as artifacts of appropriation and cringeworthy stereotypes.A few weeks after our phone interview, I accepted an invitation to meet with Caros, who is in her eighties, at her New Westminster apartment. The walls were decorated salon-style with her oil-on-canvas paintings. She showed me some of the velvets in her private collection, unframed for storage. The fabric, a black rayon cotton velvet, with upright hairs that do not flatten when pressed with paint, she said, came from a wholesaler in New York.She turned the edges of the fabric, revealing a patterned design that can help differentiate authentic from fake.She then held the loose fabric up to the light. With a true Caros painting, she explained, you can “see the light through.” She added with glee, “You could run it through the washing machine!” I asked if she knew Dorothy, Minn or May. Caros answered with a defiant, “Nobody can copy me. Joy Caros and that’s all.” Before I left, Caros expressed hope that a retrospective exhibition could be held for her before she passes.In September 2020, I chatted with Caren Anderson, former co-owner of the Velveteria Museum in Los Angeles, which shuttered in 2019. She told me about the self-taught American velvet painter Cecelia “CeCe” Rodriguez, still painting in Las Vegas at the age of 101, though no longer on velvet. Anderson lamented that velvet painting was “another thing men had claimed for themselves.” I think about women like Rodriguez, Caros, Clarke, Sjolseth-Carter, Francis, whose names and work are invisible to “high art” critics, curators and collectors, even to those who champion outsider and kitsch art. Women whose work stamped a female gaze onto the ubiquitous exoticized bodies of velvet painting. I worry for the few remaining elder stateswomen of velvet painting, like Caros and Rodriguez. I look forward to celebrating the end of the pandemic with a sickly sweet cocktail at the Waldorf Hotel in Vancouver, the walls of its historic Tiki Bar adorned with Leetegs. I examine suspiciously an “original” Joy Caros painting on eBay, on sale for the bargain of $750, and I would love to hold it up to the light.
Frequently Asked Questions About 🔥 RARE Vintage Hawaiian HAWAII Girl Portrait Oil Painting, CeCe Rodriguez 1960s in My Website
jaamtrading.com is the best online shopping platform where you can buy 🔥 RARE Vintage Hawaiian HAWAII Girl Portrait Oil Painting, CeCe Rodriguez 1960s from renowned brand(s). jaamtrading.com delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.
What are the best-selling 🔥 RARE Vintage Hawaiian HAWAII Girl Portrait Oil Painting, CeCe Rodriguez 1960s on jaamtrading.com?
jaamtrading.com helps you to shop online and delivers Adidas to your doorstep. The best-selling Adidas on jaamtrading.com are: adidas Originals Tobacco Pantone / Mesa / Gum GY7396 Men’s US4.5-14 NEW Adidas Samba OG “DĂa de Muertos” Black – JI3932 Expeditedship Adidas Country II Leather ‘White’ – JH5582 Expeditedship adidas PureBoost Go ‘Cloud White’ F35787 Adidas Ultraboost Miami Hurricanes Mens Gym Running Shoes NEW (EE3702) Size 11- adidas Nmd R1 Unity Blue FLAT REPLACEMENT SHOELACES HIGH QUALITY FOR AIR JORDAN 1 2 3 4 5 BUY 2 GET 1 Adidas Stan Smith Lux Triple White Off White Men’s New Luxury IG6421 Sz 11.5 Adidas Adizero RC 4 Running Trainers Mens US 12 UK 11.5 Pink Sneakers EU 46 2/3 Adidas Yeezy Slide Dark Onyx ID5103 Men’s|Gift|Limited|Kanye Adidas Originals Ozweego Pale Nude/Light Brown Men Sneakes EE6462 New Adidas Original Jeremy Scott Wings PCI789002 G04653 Metal Black US Men 9.5 As is Adidas Mens Swift Run B37725 White Running Shoes Sneakers Size 10.5 adidas originals U Path Run – G27639 Adidas Campus 00’s Originals Shoes ‘Grey’ – HQ8707 Expeditedship adidas Top Ten ‘Triple White’ FV6131 NEW Adidas James Harden LS 2 CG6277 Lace Maroon Mint Basketball Shoes Men’s 8 Adidas Mundial Team Mens Soccer Cleats Black 019228 NEW Multi Sz [HQ3782] Adidas Adizero Prime X Strung Solar Red *NEW* adidas Originals R71 IH1327 Team Victory Red/Core Black/Gold [US 4.5-12] New adidas Ultrabounce Men’s Size 10.5 Running Shoes Cloud White Scarlet Red HP5775 Adidas Solar Control Mens Shoes Adidas NMD R1 Shoes Cloud White / White Mens Size 9.5 – 13 US NIB GZ7947 Adidas Crazy Explosive 2017 Sneaker Size 11.5 Triple Grey Knit Basketball Sport Adidas Freak Ultra 21 Primeknit Men’s Football Cleats Black FX1301 Multi Size Adidas Originals Superstar Rasta Black White IH3121 Unisex Size US4-11 ADIDAS MENS COZY ZX 8000 RUNNING SHOES #HP7713 ADIDAS Golf Shoes TOUR360 22 Leather Men’s Sz 12 Black / Iron Metallic GZ3158 (N Adidas Terrex Agavic Ultra Sneakers Shoes Mens Size 13 GY9362 Outdoor NIB Adidas Copa Gloro TF football boots black IE7541 /Fast Shipping 100% Authentic adidas Bravada Black White Men Skate Boarding Casual Lifestyle Shoes FV8085 Sz 9 adidas Originals Superstar Triple Black Men Unisex Classic Casual Shoes EG4957 NEW Adidas ULTRABOOST 22 C.RDY II GX6689 Cold Ready Men’s Running Shoes Mens 7 Adidas Predator Edge.1 SG Red Soccer Cleats Data Pack GW1016 Womens 8 New Sz 11 Men adidas Mahomes 1 Impact FLX Blue/Wht Shoe Football Trainer NEW No Box adidas Powerlift 4 Core Black Mens Size 12.5 US Black Gym Weightlifting Sneakers adidas Forum 84 Low Advantage Chalk White/Cloud White 12.5 D (M) Adidas D Rose Son Of Chi Christmas Sizes 8-15 Men’s Basketball Shoes. GY3264 adidas Pro Model 2G Low ‘White Black’ FX4981 Adidas Originals Top Ten RB Men’s Sneakers Leather Black IF7814 Sport Shoes adidas SAMBA ATMOS Tuxedo Core IH3364 BLACK Silver unisex US 4.5-13 #3 Adidas Barricade Blue White ID1549 Men’s Sizes 8-11 adidas Ozweego Orchid Tint Triple Pink Shoes Running Retro Trainers Men Size Adidas EQT Support 93/17 (CBLACK/CBLACK/FTWWHT) Men’s Shoes BZ0585 Mens adidas Arsenal Gazelle IH2630 Night Sky / Better Scarlet / Gum [HQ3527] Mens Adidas ADIPOWER WEIGHTLIFT adidas 4D FWD Sneakers Performance Trainers Triple Black Running Shoes Men Size Adidas Originals Forum Mid Leather Sneakers Triple White FY4975 Mens Size Adidas Own the Game Black Red Basketball White Sneakers FY6008 Mens Size Adidas Men’s Crazy BYW FTWR White/FTWR White Size 12 US New Without tag Or Box adidas Strutter Cloud White Footwear White Men Unisex Road Running Shoes ID3571 Adidas Cleats Men’s Sz 13 Baseball SPG753001 Litestrike Metal Black Silver Adidas Grand Court TD Lifestyle Court Tennis Shoe Sneakers GW9252 Mens 11.5 _A2 adidas Samba OG J ‘White Black Gum’ IE3675 In Stock Adidas Originals Samba Vegan x Mickey Mouse White Sneakers GY1890 Men’s Sz 10 adidas Originals Fom Q Grey Blue HQ4333 Size 8-13 Brand New [IE5158] Mens Adidas SAMBA ‘JASON DILL WHITE BLACK PATENT’ size 12 Adidas Superstar 82 White Dark Blue Shoes GZ1537 ADIDAS Yeezy Boost 350 V2 Reflective Shoes Men’s Size US 12 Black FU9007 adidas Hoops 3.0 White Tan Grey Gum Bottom IF2634 Men Size 7.5-13 New Trainer [GY6935] Mens Adidas PUIG INDOOR IE2164 YNuK adidas Adimatic Dark Green Core Black Off White (Men’s) Adidas A.E. 1 Velocity Blue Basketball Shoes IF1864 Men’s Sizes 7 – 7.5 Adidas UltraBoost DNA XXII Shoes Black Running Sneaker GX6849 Men’s Size 10 DS adidas Originals Top Ten RB Black Red FZ6024 Size 8-13 Brand New Jordan Why Not .5 Bloodline DC3637-160 Basketball Shoes Adidas Men’s Forum Low Size 13 Black Orange Yellow Gradient |FZ5891| adidas Soccer Cleats PREDATOR ACCURACY.1 FG Core Black GW4571 NEW!! Sz 9 Men adidas Mahomes 1 Impact FLX Blue/Wht Shoe Football Trainer New No Box Adidas Vulcraid3r Slip On Skateboarding Gray Grey Men HP6557 Vulc Size 11.5 Adidas Sz 17 Men Crayola X DON Issue 2 J Jazzberry Jam Basketball Shoes Big Tall adidas Campus 00s Low Scarlet Pink Gum – H03477 adidas Originals Samba OG Preloved Ink / Halo Blue / Night ID1454 Shoes Sneakers Adidas Pro Model Mens Style : If5867 Adidas Copa Premiere Grey One White Gum Shoes IF7528 Men’s Sizes 7 – 14 adidas NMD R1 Olive Green 2016 BB2790 Men Size 10.5 European Release Adidas UltraBoost 5.0 DNA Gray Black White Mens Running Shoes GV8739 adidas EQ21 Run Men’s Running Bounce Shoes Sneakers Black Carbon Grey NIB Adidas Trae Young 2 Pink Trap House. Men’s Size 9 Women’s Size 10.5 Men’s Adidas Samba Vegan Leather Size 9.5 Black/White/Gray Gum Sole Men’s Adidas Originals Gazelle Casual Shoes / Green Gum / IF7154 / Size 12 [GZ8184] Mens Adidas RACER TR21 ‘BLACK WHITE’ Adidas Men’s Busenitz Activewear/Casual Shoes adidas Duramo SL Triple Black Mens Running Casual Shoes Sneakers Sz 7.5 NIB NWT Adidas HVC Wrestling Black White Shoes Men’s Size 11 AQ3325 Size 8 – adidas Yeezy Boost 350 V2 Beluga supply 350 Adidas Originals Gazelle J Youth Sizes Night Indigo White Shoes Sneakers IG1695 Adidas Adizero SL running Mens Sz 12 New W Box/tag FREESHIP HQ1349 Adidas Originals HANDBALL Core Black/Silver Metallic JP5356 Unisex shoes NEW F/S ADIDAS Originals Italy Men’s Adilette slide Sandal 280648 – Size 8 – New Adidas Men’s Daily 4.0 Gray & Black Skateboarding Shoes Size 7 NEW Unisex Adidas Men’s Terrex AX4 Wide Triple Black Hiking Shoes GW6900 NWT ADIDAS LAB RACE X NOAH NIB $200 YELLOW/BEIGE/GREEN MEN’S RUNNING SNEAKER. SZ 10 Adidas Solarglide 5 GX6707 Men’s Grey Black Regular fit Running Shoes FL1935 [GW9089] Mens Adidas SUPERNOVA 2 M Adidas Superstar x Lego GX3382 *MANY SIZES AVAILABLE* Adidas Impact FLX II IE9377 – Power Red 2/White Mens Size 6 NIB adidas ID3445 Terrex Winter Slip-On Cold. Rdy Olive Strata Men’s US 4-12 Auth Alexander Wang x Adidas Futureshell (EE9027) Unisex Limited Edition New OVP ADIDAS CAMPUS ID2169 MEN’S SHOES casual black Mens Pullover Fleece Hoodie